Search results
Results From The WOW.Com Content Network
Zanobard Reviews gave 8/10 to the score album, saying "Tyler Bates’ score to John Wick: Chapter 3 – Parabellum (what a title by the way) is pretty great. It continues in the same musical vein as the first two scores, using that unique mixture of electronics and a rather gloomy tone to both emphasize the dark character of Wick and get across the particularly dramatic nature of the films as ...
John Wick: Chapter 3 – Parabellum had its premiere at the Regal Union Square in New York City on May 9, 2019, and was released in the United States on May 17, by Lionsgate. It received highly positive reviews from critics, with praise for the action sequences, visual style, and Reeves's performance.
John Wick: Chapter 3 – Parabellum (soundtrack) John Wick: Chapter 4 (soundtrack) L. Love and a Bullet (soundtrack) P. Pearl (soundtrack) S. Sucker Punch (soundtrack) W.
John Wick: Chapter 3 – Parabellum (soundtrack) K. ... The Lego Batman Movie (soundtrack) Lightyear (soundtrack) The Living Planet: Music from the BBC TV Series; M.
John Wick: Chapter 4 (Original Motion Picture Soundtrack) is the soundtrack to the 2023 film John Wick: Chapter 4, the fourth installment of the John Wick franchise starring Keanu Reeves as the titular character and a sequel to John Wick: Chapter 3 – Parabellum (2019). The soundtrack album featured original music composed by Tyler Bates and ...
Jackie (soundtrack) Jagga Jasoos (soundtrack) John Carter (soundtrack) John Wick: Chapter 3 – Parabellum (soundtrack) Joker (soundtrack) Judy (soundtrack) Jumanji: Welcome to the Jungle (soundtrack) Jurassic World (film score) Jurassic World: Fallen Kingdom (film score) Justice League (soundtrack)
This weekend was a big one at the box office for Lionsgate, as “John Wick: Chapter 3 – Parabellum” earned $57 million from 3,850 screens — nearly doubling the $30 million opening of ...
Tyler Bates and Joel J. Richard returned to score for John Wick: Chapter 2 after previously scoring for the first film. [1] Bates called the score as "more aggressive" and "frenetic" than the first film, which Richard recalled that Stahelski insisted to use Italian influence for the story that is set in Rome, that inspired the instrumental uses of cello, mandolin, operatic vocals and influence ...