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African drum made by Gerald Achee Drummers in Accra, Ghana. Sub-Saharan African music is characterised by a "strong rhythmic interest" [1] that exhibits common characteristics in all regions of this vast territory, so that Arthur Morris Jones (1889–1980) has described the many local approaches as constituting one main system. [2]
Geo-political map of Africa divided for ethnomusicological purposes, after Merriam, 1959. Alan P. Merriam divided Africa into seven regions for ethnomusicological purposes, observing current political frontiers (see map), and this article follows this division as far as possible in surveying the music of ethnic groups in Africa.
Sample of the Egyptian Book of the Dead of the scribe Nebqed, c. 1300 BC. Africa is divided into a great number of ethnic cultures. [17] [18] [19] The continent's cultural regeneration has also been an integral aspect of post-independence nation-building on the continent, with a recognition of the need to harness the cultural resources of Africa to enrich the process of education, requiring ...
A tifa totobuang is a music ensemble from the Maluku Islands, related to the kulintang orchestra. It consists of a set of a double row of gong chimes known as the totobuang (similar to set of bonang gong chimes) and a set of tifa drums.
A blind Buganda harpist c. 1911. Baganda music is a music culture developed by the people of Uganda with many features that distinguish African music from other world music traditions.
A group of musicians at the village of Mbour, playing a kora, a gongoba drum and a guitar.. The Wolof, the largest ethnic group in Senegal, have a distinctive musical tradition that, along with the influence of neighboring Fulani, Tukulor, Serer, Jola, and Mandinka cultures, has contributed greatly to popular Senegalese music, and to West African music in general.
The tifa, tiwa or tiva is a single-headed goblet drum used throughout the Maluku Islands of Eastern Indonesia, where it is traditionally the "dominant instrument" in Maluku province music. [1]
The names of the drums are onomatopoeic, meaning that they sound like the thing they describe.This is common for West African instruments. Shekere (gourd rattle), sege sege (metal djembe rattle), kese kese (woven basket rattle), and kenken (a bell played with dunun) are Malinké onomatopoeic terms for other instruments that are commonly played together with dunun and djembe.