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Chhaap Tilak Sab Chheeni, is a Kafi written and composed by Amir Khusro, a 14th-century Sufi mystic, in North Central Indian language Braj Bhasha.Due to the resonance of its melody and mystical lyrics, it is frequently heard in Qawwali concerts across Indian Subcontinent. [1]
Ashiqa - Khusro pays a glowing tribute to Hindi language and speaks of its rich qualities. [40] It is a masnavi that describes the tragedy of Deval Devi. The story has been backed by Isaami. [41] Qissa Chahar Dervesh (The Tale of the Four Dervishes) - a dastan told by Khusrau to Nizamuddin Auliya.
Aaj Rang Hai (Urdu: آج رنگ ہے; Hindi: आज रंग है; transl. Today There is a Glow) also known as Rang or Rung (transl. Color) is a Qawwali written by the 13th-century Sufi poet, Amir Khusrau [1] in Hindavi [2] and Braj Bhasha [3] dialects.
An illustrated manuscript of one of Amir Khusrau's poems. A page of Amir Khusrow's riddles. The Riddles of Amir Khusrow were developed during the royal courts of more than seven rulers of the Delhi Sultanate. During this time, Khusrow wrote not only many playful riddles, but songs and legends which have been a part of popular culture in South ...
Amir Khusro (1253–1325) composed the first ghazal in Urdu, titled ze-hāl-e-miskīñ. [2] He wrote in Persian and Rekhta (initial form of Urdu). Mirza Ghalib is considered one of the leading literary authority on Urdu poetry. [3] He lived in Delhi [4] and died in 1869. The literal meaning of shayar (shaa'ir) is poet. [5]
Many of his disciples achieved spiritual height, including Shaikh Nasiruddin Chirag Delhavi, [11] and Amir Khusro, [10] noted scholar/singer, and the royal poet of the Delhi Sultanate. He died on the morning of 3 April 1325. His shrine, the Nizamuddin Dargah, [8] is located in Delhi. and the present structure was built in 1562.
The work of Shukla traces the genesis of Hindi poetry and prose since the 6th century and its development through Buddhist and Nath schools and the medieval contributions of Amir Khusro, Kabirdas, Ravidas, Tulsidas, stretching to the modern realism of Nirala and Premchand.
These stories were originally written in Persian by Amir Khusro as Qissa-ye Chahār Darvēsh.It was initially translated by Mir Husain Ata Tehseen into Urdu as Nav Tarz-e-Murassaa (نو طرزِ مُرصّع, "New Ornate Style") [1] but the language was a highly literate one and was not understood by general public to enjoy.