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Nat Bhairav (or also written as Nut Bhairav) (Hindi: नट भैरव) is a Hindustani classical heptatonic raga of Bhairav Thaat. Traditionally it is a morning raga. It is one of the most important ragas of the Bhairav anga. [1] This raga is not be confused with the Natabhairavi, the 20th Melakarta of Carnatic Music.
Bhairav raga is an ancient raga that is considered to be extremely old and originated many centuries ago. The origin of Bhairav raga is disputed. According to some musicians, Bhairav raga was the first raga that originated from the mouth of Lord Shiva. While some musicians argue that Bhairav raga originated from the mouth of Lord Surya.
Bhairav is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat . [ 1 ] But there is no connection in the similarity between in the names of the thaat and the raga.
Natabhairavi scale with shadjam at C. It is the 2nd rāgam in the 4th chakra Veda.The mnemonic name is Veda-Sri.The mnemonic phrase is sa ri gi ma pa dha ni. [1] Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on the notations used):
The record features two North Indian ragas; Nata Bhairav, which is a morning raga created by Shankar in the mid-1960s by combining aspects of the ragas Nat and Bhairav, and Mishra Piloo, which is a popular evening raga. The original liner notes feature detailed descriptions of each raga's melodic and structural content.
It corresponds to the Raga Sarasangi in Indian Carnatic music, or Raag Nat Bhairav in Hindustani music. It can be considered a major scale with the sixth degree lowered, Ionian ♭ 6, [1] or the harmonic minor scale with the third degree raised. The intervals between the notes of a harmonic major scale follow the sequence below:
This is a list of various Ragas in Hindustani classical music.There is no exact count/known number of ragas which are there in Indian classical music.. Once Ustad Vilayat Khan saheb at the Sawai Gandharva Bhimsen Festival, Pune said before beginning his performance – "There are approximately four lakh raags in Hindustani Classical music.
The image of Ahir Bhairav is easily maintained with the characteristic passage ṇ Ḍ ṇ/r~ S [1] with the characteristic Bhairav andolan (oscillation) on komal re. Sometimes shuddha ni is used in the lower octave to emphasize the Bhairav character. [3] The Carnatic music equivalent to this raga is Chakravakam. Related ragas: Bhairav; Nat Bhairav