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The origins of this literary tradition can be traced back to Bhai Jaita (1657–1704), a devoted disciple of Guru Gobind Singh, who composed the devotional epic Sri Gur Katha. [44] In the early nineteenth century, Sant-poet Sadhu Wazir Singh (1790–1859) became a notable figure, producing works that explored spiritual, social, and ...
Eliot also began to write on a freelance basis for The Athenaeum and The Times Literary Supplement in 1919, which built his reputation as a respected critic and journalist. [24] While living in London Eliot became acquainted with literary figures, most notably Pound in 1914, who would help publish Eliot's work and edit The Waste Land. [25]
A critical lens is a way of looking at a particular work of literature by focusing on style choices, plot devices, and character interactions and how they show a certain theme (the lens in question). It is a common literary analysis technique.
Susan Anker distinguishes between nine different modes of essay writing: narration, or writing that tells stories; illustration, or writing that gives examples; description, or writing that creates pictures in words; process analysis, or writing that explains how things happen; classification, or writing that sorts things into groups ...
Foss identifies the following steps in a piece of ideological criticism: (1) “formulate a research question and select an artifact”; (2) “select a unit of analysis” (which she calls “traces of ideology in an artifact”); (3) “analyze the artifact” (which, according to Foss, involves identifying the ideology in the artifact ...
Anatomy of Criticism: Four Essays (Princeton University Press, 1957) is a book by Canadian literary critic and theorist Northrop Frye that attempts to formulate an overall view of the scope, theory, principles, and techniques of literary criticism derived exclusively from literature. Frye consciously omits all specific and practical criticism ...
It was reprinted in On Poetry and Poets, a collection of Eliot's critical essays, in 1957. The essay is an attempt by Eliot to define the boundaries of literary criticism : to say what does, and what does not, constitute truly literary criticism, as opposed to, for example, a study in history based upon a work of literature.
Thing theory is a branch of critical theory that focuses on human–object interactions in literature and culture. It borrows from Heidegger's distinction between objects and things, which posits that an object becomes a thing when it can no longer serve its common function. [1]