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A man with a sword is riding a dragon by holding the rein. The dragon's body was given the shape of a boat. A little egret is standing at the tail of the dragon. A carp under the dragon is leading the way. The umbrella in the top middle of the picture shows the owner's nobility.
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William Blake (British, 1757–1827) The Great Red Dragon and the Woman Clothed with the Sun (Rev. 12: 1–4), ca. 1803–1805 – Brooklyn Museum The Great Red Dragon and the Woman Clothed with the Sun (National Gallery) The Great Red Dragon and the Beast from the Sea The Number of the Beast is 666
Silk painting depicting a man riding a dragon; U. United Nations Security Council mural; W. The Warlock (Spitzweg)
Silk painting depicting a man riding a dragon, painting on silk, dated to 5th–3rd century BC, from Zidanku Tomb no. 1 in Changsha, Hunan A c. 316 BC lacquerware painting from the Jingmen Tomb of the state of Chu (704–223 BC), depicting men wearing precursors to hanfu dress and riding in a two-horsed chariot
Most think Toba Sōjō created Chōjū-jinbutsu-giga, who created a painting a lot like Chōjū-jinbutsu-giga; [8] however, it is hard to verify this claim. [10] [11] [12] The drawings of Chōjū-jinbutsu-giga are making fun of Japanese priests in the creator's time period, characterising them as toads, rabbits and monkeys.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
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