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A man with a sword is riding a dragon by holding the rein. The dragon's body was given the shape of a boat. A little egret is standing at the tail of the dragon. A carp under the dragon is leading the way. The umbrella in the top middle of the picture shows the owner's nobility.
Saint Margaret and the Dragon (Titian) Saint Margaret of Antioch (Zurbarán) Silk painting depicting a man riding a dragon; U. United Nations Security Council mural; W.
William Blake (British, 1757–1827) The Great Red Dragon and the Woman Clothed with the Sun (Rev. 12: 1–4), ca. 1803–1805 – Brooklyn Museum The Great Red Dragon and the Woman Clothed with the Sun (National Gallery) The Great Red Dragon and the Beast from the Sea The Number of the Beast is 666
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Highest possible status imperial roof decoration - man riding bird, nine beasts, immortal figure, and dragon Chinese imperial roof decorations or roof charms or roof-figures (Chinese: 檐獸/檐兽; pinyin: yán shòu) or "walking beasts" (Chinese: 走獸/走兽; pinyin: zǒu shòu) or "crouching beasts" (Chinese: 蹲獸/蹲兽; pinyin: Dūn shòu) were statuettes placed along the ridge line ...
Most think Toba Sōjō created Chōjū-jinbutsu-giga, who created a painting a lot like Chōjū-jinbutsu-giga; [8] however, it is hard to verify this claim. [10] [11] [12] The drawings of Chōjū-jinbutsu-giga are making fun of Japanese priests in the creator's time period, characterising them as toads, rabbits and monkeys.
The Pictish Beast (sometimes Pictish Dragon or Pictish Elephant) is an artistic representation of an animal, distinct to the early medieval culture of the Picts of Scotland. The great majority of surviving examples are on Pictish stones .
The dragon transforms into the White Dragon Horse and serves as Tang Sanzang's steed for the rest of the latter's journey. [ 6 ] When Tang Sanzang was captured by the Yellow Robe Demon , the White Dragon Horse transforms himself into a young man and attempts to save Tang Sanzang, but fails.