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A man with a sword is riding a dragon by holding the rein. The dragon's body was given the shape of a boat. A little egret is standing at the tail of the dragon. A carp under the dragon is leading the way. The umbrella in the top middle of the picture shows the owner's nobility.
Saint Margaret and the Dragon (Titian) Saint Margaret of Antioch (Zurbarán) Silk painting depicting a man riding a dragon; U. United Nations Security Council mural; W.
William Blake (British, 1757–1827) The Great Red Dragon and the Woman Clothed with the Sun (Rev. 12: 1–4), ca. 1803–1805 – Brooklyn Museum The Great Red Dragon and the Woman Clothed with the Sun (National Gallery) The Great Red Dragon and the Beast from the Sea The Number of the Beast is 666
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Most think Toba Sōjō created Chōjū-jinbutsu-giga, who created a painting a lot like Chōjū-jinbutsu-giga; [8] however, it is hard to verify this claim. [10] [11] [12] The drawings of Chōjū-jinbutsu-giga are making fun of Japanese priests in the creator's time period, characterising them as toads, rabbits and monkeys.
A crane which is used as a form of immortal ride is called an immortal crane. [7] In the Shiyiji, Immortals often go to Mount Kunlun to play by riding on dragons and cranes. [5]: 162 The Eight immortals are sometimes depicted in pictures greeting the god of longevity, Shouxing (壽星), who is flying past on a crane through auspicious clouds.
The Pictish Beast (sometimes Pictish Dragon or Pictish Elephant) is an artistic representation of an animal, distinct to the early medieval culture of the Picts of Scotland. The great majority of surviving examples are on Pictish stones .
The European dragon is a legendary creature in folklore and mythology among the overlapping cultures of Europe.. The Roman poet Virgil in his poem Culex lines 163–201, [1] describing a shepherd battling a big constricting snake, calls it "serpens" and also "draco", showing that in his time the two words probably could mean the same thing.