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The term culture industry (German: Kulturindustrie) was coined by the critical theorists Theodor Adorno (1903–1969) and Max Horkheimer (1895–1973), and was presented as critical vocabulary in the chapter "The Culture Industry: Enlightenment as Mass Deception", [1] of the book Dialectic of Enlightenment (1947), wherein they proposed that popular culture is akin to a factory producing ...
Adorno and Horkheimer argue that antisemitism is a deeply rooted, irrational phenomenon that stems from the failure of the Enlightenment project and the inherent contradictions of bourgeois society. They argue that Jews serve as a universal scapegoat onto which individuals and societies project their deepest fears, anxieties, and neuroses.
In contrast, Adorno and Horkheimer saw the rise of the culture industry as promoting homogeneity of thought and entrenching existing authorities. [33] For instance, Adorno (a trained classical pianist) polemicized against popular music because it had become part of the culture industry of advanced capitalist society and the false consciousness ...
Although Adorno's name heads the alphabetical list of authors, he arrived late to the project and made a relatively small contribution. [22] [need quotation to verify] Adorno, in a 1947 letter to Horkheimer, said that his main contribution was the F-scale, which in the end was the "core of the whole thing."
Theodor W. Adorno (alias: Theodor Adorno-Wiesengrund) was born as Theodor Ludwig Wiesengrund in Frankfurt on 11 September 1903, the only child of Maria Calvelli-Adorno della Piana (1865–1952) and Oscar Alexander Wiesengrund (1870–1946).
Horkheimer and Adorno stated that these products were so standardized in order to help consumers comprehend and appreciate the products with little attention given to them. They expressed, "the result is a constant reproduction of the same thing" (Adorno and Horkheimer, 1993 [1944]).
For Adorno and Horkheimer, state intervention in the economy had effectively abolished the traditional tension between Marxism's "relations of production" and "material productive forces" of society. The market (as an "unconscious" mechanism for the distribution of goods) had been replaced by centralized planning. [55]
Culture Industry Reconsidered (German: Résumé über Kulturindustrie) was written in 1963 by Theodor W. Adorno, a German philosopher who belonged to the Frankfurt School of social theory. The term "cultural industry" first appeared in Dialectic of Enlightenment (1947), written by Adorno and Max Horkheimer.