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The worship of Hera was sparse in Thessaly, Attica, Phocis and Achaea. In Boeotia she is related to the fest Daedala. The main center of her cult was North-Eastern Peloponnese, especially Argolis. ( Argos, Tiryns, Corinth, Sicyon, Epidaurus and Hermione). She was worshipped at the Arcadian cities Mantineia, Megalopolis, Stymphalus and at Sparta.
Hieros gamos of Hera (shown with Iris) and Zeus, 1900 drawing of a fresco at Pompeii.. Hieros gamos, (from Ancient Greek: ἱερός, romanized: hieros, lit. 'holy, sacred' and γάμος gamos 'marriage') or hierogamy (Ancient Greek: ἱερὸς γάμος, ἱερογαμία 'holy marriage') is a sacred marriage that takes place between gods, especially when enacted in a symbolic ritual ...
The Ancient Greeks worshipped Hera as the queen of the gods, amongst many other roles. At these sacred sites, like the Heraion at Argos, the Ancient Greeks usually emphasized specific certain qualities or roles that manifested themselves in the design of the sanctuary, rituals, and festivals held there. [ 31 ]
Site plan of the sanctuary. The numbers match the bold numerals in the text of the article. The Heraion of Samos was a large sanctuary to the goddess Hera, on the island of Samos, Greece, 6 km southwest of the ancient city of Samos (modern Pythagoreion).
Restored ruins of the temple Olympia site map: #4 Temple of Hera is in dark purple (top center). The long ancient Olympic stadium is at far right. Olympic flame. The Temple of Hera, or Heraion, is an ancient Archaic Greek temple at Olympia, Greece, that was dedicated to Hera, queen of the Greek gods [1]: 195–197 .
Hera's face is modelled on Rubens' wife, Hélène Fourment. [1] The carriage is pulled by peacocks, [ 3 ] a bird which the ancient Greeks and Romans considered sacred to both themselves and to Hera/Juno, as a result of their ability to signal changes in weather through cries and hence their perceived connection to the gods.
The myth of the milk of Hera (Ancient Greek: Ἥρας γάλα, romanized: Hḗras gala) is an ancient Greek myth and explanation of the origin of the Milky Way within the context of creation myths.
The tale concludes with an exhortation to all men warning them that, should they scorn their lovers, God will repay the offence. [24] Guillaume's rendition builds on the themes of courtly love emphasised in the Lay and moves further away from Ovid's initial account. The curse of Hera is absent entirely, and the tale is overtly moralised.