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Britons never, never, never shall be slaves... We lowered a boat to find him, We thought to see his corse, When up to the top he came with a bang, And sang in a voice so hoarse, 'My comrades and my messmates, Oh, do not weep for me, For I'm married to a mermaid, At the bottom of the deep blue sea.' Singing Rule Britannia, Britannia rules the waves
Through the use of double-entendre, at least in the English versions, it tells of an encounter between a grenadier (or soldier) and a lady. [1] Lyrics have been traced to the late 17th or early 18th century. There are a number of textual variants, and the song has many titles.
There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay"). The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV).
"Pick a Bale of Cotton" (Roud 10061, sometimes "Pick a Bale o' Cotton") is a traditional American folk song and work song first recorded by Texas inmates James "Iron Head" Baker (1933) [1] and Mose "Clear Rock" Platt (1939) [2] and later popularized by Lead Belly (Huddie William Ledbetter).
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement.Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition.
Sheet music version Play ⓘ "Goodnight, Ladies" is a folk song attributed to Edwin Pearce Christy, originally intended to be sung during a minstrel show. Drawing from an 1847 song by Christy entitled "Farewell, Ladies", the song as known today was first published on May 16, 1867. [1]
Thus, in the simple chord progression I–ii–V–I, which in the key of C major would be the chords C Major–D minor–G Major–C Major, a musician could replace the I chords with "tonic substitutes". The most widely used substitutes are iii and vi (in a Major key), which in this case would be the chords "E minor" and "A minor".