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Blue and white ware did not accord with Chinese taste at that time, the early Ming work Gegu Yaolun (格古要論) in fact described blue as well as multi-coloured wares as "exceedingly vulgar". [16] Blue and white porcelain however came back to prominence in the 15th century with the Xuande Emperor, and again developed from that time on. [14]
Many of the German porcelain manufactories in the 19th century produced a version of intense blue "echt Kobalt" decor combined with patterned gilding, using the Norwegian cobalt from Denmark. In 1790, Royal Copenhagen was commissioned by the king to produce a "Flora Danica" dinner service, with gilded edges and botanical motifs copied from the ...
Bing & Grøndahl's Seagull dinnerware, designed by Fanny Garde in 1895. The company's signature design, Seagull, was created in 1892 by designer Fanny Garde (1855-1925). The modest, classic design features flying seagulls against pale blue backgrounds, sea horse handles and shaded patterns of scales around the edges.
JIESIA porcelain; the main manufacturer in the post-soviet region and the only bone china company in the Baltic States 1941: Figgjo porcelain: Sandnes: Norway: Figgjo is a trend-setting porcelain manufacturer for the professional kitchen (see www.figgjo.com) 1955 JEMA KERAMISCH ATELIER N.V. Maastricht: Netherlands: Jema Holland ceramic studio. 1969
The china was considered to have a medium to high cost. [7] The glaze for the fine china line was developed by Max Compton with the shapes and patterns designed by Mary K. Grant, the design staff, and by contract designers. In 1942, World War II curtailed the introduction of new dinnerware lines and shapes. The Company continued to produce ware ...
In 1882, the owners of Aluminia purchased the Royal Copenhagen porcelain factory. [1] [2] The factories were operated independently under their respective trade names until 1969, when the use of the Aluminia name was ended. Since then the products have been sold under the mark "Royal Copenhagen Denmark Fajance."