Search results
Results From The WOW.Com Content Network
Castration anxiety is an overwhelming fear of damage to, or loss of, the penis—a derivative of Sigmund Freud's theory of the castration complex, one of his earliest psychoanalytic theories. [1] The term refers to the fear of emasculation in both a literal and metaphorical sense. Freud regarded castration anxiety as a universal human experience.
The castration complex is a concept developed by Sigmund Freud, first presented in 1908, [1] initially as part of his theorisation of the transition in early childhood development from the polymorphous perversity of infantile sexuality to the ‘infantile genital organisation’ which forms the basis for adult sexuality.
Castration", in China, meant the severing of the penis in addition to the testicles, after which male offenders were sentenced to work in the palace as eunuchs. The punishment was called gōngxíng (宫刑), which meant "palace punishment", since castrated men would be enslaved to work in the harem of the palace.
Penis envy stems from Freud's concept of the Oedipus complex in which the phallic conflict arises for males, as well as for females. [8] [9] Though Carl Jung made the distinction between the Oedipus complex for males and the Electra complex for females in his work The Theory of Psychoanalysis, [10] Freud rejected this latter term, stating that the feminine Oedipus complex is not the same as ...
It is distinct from castration, where only the testicles are removed. Although the terms are sometimes used interchangeably, the potential medical consequences of emasculation are more extensive due to the complications arising from the removal of the penis. [ 1 ]
Some troops leave the battlefield injured. Others return from war with mental wounds. Yet many of the 2 million Iraq and Afghanistan veterans suffer from a condition the Defense Department refuses to acknowledge: Moral injury.
Freud argued further that, because displaying the genitals (male and female) can be an apotropaic act - one aimed at intimidating and driving off the spectator [6] - so too was the defensive use of Medusa's head in classical Greece.
He focuses on how the anxiety of their loss, is not unlike male castration anxiety. He continues, explaining how this anxiety may lead a male audience, robbed of their masculinity, feeling the uncanny. Their masculinity being robbed, provides Freud the foundation to illustrate a central contributor to male fear.