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The Japanese sword has existed since the Nara period (710–794), where techniques to draw the sword have been practiced under other names than 'iaijutsu'. [3] The term 'iaijutsu' was first verified in connection with Iizasa Chōisai Ienao (c. 1387 – c. 1488), founder of the school Tenshin Shōden Katori Shintō-ryū .
Battōjutsu (抜刀術, battō-jutsu, 'craft of drawing out the sword') is an old term for iaijutsu (居合術). Battōjutsu is often used interchangeably with the terms iaijutsu and battō (抜刀). [1] Generally, battōjutsu is practiced as a part of a classical ryū and is closely integrated with the tradition of kenjutsu.
Iaidō (居合道), abbreviated iai (居合), [3] is a Japanese martial art that emphasizes being aware and capable of quickly drawing the sword and responding to sudden attacks. [ 4 ] Iaido consists of four main components: the smooth, controlled movements of drawing the sword from its scabbard (or saya ), striking or cutting an opponent ...
[1] [2] Naginata were originally used by the samurai class of feudal Japan, as well as by ashigaru (foot soldiers) and sōhei (warrior monks). [3] The naginata is the iconic weapon of the onna-musha, a type of female warrior belonging to the Japanese nobility. A common misconception is that the Naginata is a type of sword, rather than a polearm.
Onna-musha (女武者) is a term referring to female warriors in pre-modern Japan, [1] [2] who were members of the bushi class. They were trained in the use of weapons to protect their household, family, and honour in times of war; [ 3 ] [ 4 ] many of them fought in battle alongside samurai men.
Tenshinsho Jigen Ryu Hyōhō (天眞正自源流兵法) is a koryu (ancient martial art) specializing in iaijutsu (quick-draw sword art) and kenjutsu (swordsmanship) founded by Tose Yosazaemon Osamune around the Eiroku Era (1558- 1570). [1]
In addition, there are also a large number of forms for other weapons. Jōhō - Techniques for the staff (both jō against sword, jō against jō) and short staff; Kogusoku - Semi-armored, armed grappling techniques; Naginatajutsu - Techniques for the glaive, both naginata against sword and naginata against naginata. In addition there is also a ...
[1] [2] It has been suggested that it developed along the same lines as Okinawan kobudō weapons as a modified farming tool. Others say that creative samurai in need of a longer weapon attached a sword to a pole. Perhaps the simplest explanation is the natural development of polearms. Polearms are intended as mass weapons, to be used not just ...