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The vertical warp yarns are held stationary in tension on a loom (frame) while the horizontal weft (also called the woof) is drawn through (inserted over and under) the warp thread. [1] In the terminology of weaving, each warp thread is called a warp end ; a pick is a single weft thread that crosses the warp thread (synonymous terms are fill ...
The tertiary motions of the loom are the stop motions: to stop the loom in the event of a thread break. The two main stop motions are the Warp stop motion; Weft stop motion; The principal parts of a loom are the frame, the warp-beam or weavers beam, the cloth-roll (apron bar), the heddles, and their mounting, the reed. The warp-beam is a wooden ...
It is used to separate and space the warp threads, to guide the shuttle's motion across the loom, and to push the weft threads into place. [2] [3] [1] In most floor looms with, the reed is securely held by the beater. [1] Floor looms and mechanized looms both use a beater with a reed, whereas Inkle weaving and tablet weaving do not use reeds.
The shed, the triangular aperture on the far right, shown from the back of a table loom Passing the shuttle through the shed The shed shown in tablet weaving. In weaving, the shed is the temporary separation between upper and lower warp yarns through which the weft is woven.
However, needlepoint—which is stitched on canvas mesh—differs from true tapestry—which is woven on a vertical loom. When worked on fine weave canvas in tent stitch, it is also known as "petit point". Additionally, "needlepoint lace" is also an older term for needle lace, an historic lace-making technique.
Loom beaters typically take the form of a bar mounted across the loom. The actual beating is done by a metal insert known as a reed, which contains a number of slots, known as dents, which the warp threads pass through. This is the more common form, as floor looms and mechanized looms both use a beater with a reed.
A shuttle is a tool designed to neatly and compactly store a holder that carries the thread of the weft yarn while weaving with a loom.Shuttles are thrown or passed back and forth through the shed, between the yarn threads of the warp in order to weave in the weft.
Traditional Navajo weaving used upright looms with no moving parts. Support poles were traditionally constructed of wood; steel pipe is more common today. The artisan sits on the floor during weaving and wraps the finished portion of fabric underneath the loom as it grows.