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While "anti-glare" (a.k.a. "non-glare" or matte finish) glass treatments focus on scattering the light, "anti-reflective" coatings actually reduce the amount of light, which is reflected from each glazing surface, which has the benefit of increasing the amount of light transmitted through the glazing.
The optical glass available at the time tended to develop a tarnish on its surface with age, due to chemical reactions with the environment. Rayleigh tested some old, slightly tarnished pieces of glass, and found to his surprise that they transmitted more light than new, clean pieces. The tarnish replaces the air-glass interface with two ...
A single sheet of Glare may be referred to using the naming convention GLARE grade - Aluminum layers / Glass fiber layers - Aluminum layer thickness. The number of aluminum layers is always one more than the number of glass fiber layers, and the aluminum layer thickness is in millimeters, which can range from 0.2 to 0.5 mm (0.0079 to 0.0197 in ...
The use of thicker glass produces deeper colour effects than traditional lead came stained-glass, especially when illuminated by bright natural or artificial light. [ 1 ] [ 2 ] The technique achieved prominence in the stained glass literature of the 1950s and 1960s.
Position of the project on the 14th Street Bridge. The Washington D.C. Department of Transportation believed that the watchtower, which served as a lookout point for the bridge's former role as a drawbridge (which ended in the 1960s), was an eyesore and requested the assistance of the D.C. Commission on the Arts and Humanities to find an artist to create something that would enhance the space.
American glass artist Harvey Littleton was a tenured professor of art at the University of Wisconsin in Madison when, in June 1974, he taught a workshop in cold-working techniques for glass artists. [8] To cold-work glass is to shape or sculpt cold (as opposed to hot or molten) glass, or to produce texture or decoration on its surface.