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A B movie, or B film, is a type of cheap, low budget commercial motion picture. Originally, during the Golden Age of Hollywood, this term specifically referred to films meant to be shown as the lesser-known second half of a double feature, somewhat similar to B-sides in recorded music. However, the production of such films as "second features ...
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The 1957 Hindi film Mother India was India's first submission. The film made it to the final shortlist and was nominated alongside four other films in the category. [8] It came close to winning the Academy Award but lost to Nights of Cabiria by a single vote. [9]
I, the Jury is a 1982 American neo-noir [3] crime thriller film based on the 1947 best-selling detective novel of the same name by Mickey Spillane. The story was previously filmed in 3D in 1953. Larry Cohen wrote the screenplay and was hired to direct, but was replaced when the film's budget was already out of control after one week of shooting ...
I Am Curious (Yellow) (Swedish: Jag är nyfiken – en film i gult, lit. ' I Am Curious: A Film in Yellow ') is a 1967 Swedish erotic drama film written and directed by Vilgot Sjöman, starring Sjöman and Lena Nyman. It is a companion film to 1968's I Am Curious (Blue); the two were initially intended to be one 3 + 1 ⁄ 2 hour film. [1]
The editors of filmsite.org argue that animation, pornographic film, documentary film, silent film and so on are non-genre-based film categories. [ 40 ] Linda Williams argues that horror, melodrama, and pornography all fall into the category of "body genres" since they are each designed to elicit physical reactions on the part of viewers.
Bríd Brennan (born 1955) is an Irish actress [1] who is known for her film, TV and theatre work. She originated the role of Agnes in the Brian Friel play Dancing at Lughnasa, for which she won the 1992 Tony Award for Best Featured Actress in a Play. [2]
British Board of Film Censors 'U' certificate for Berlin Airlift (1949) [9]. The BBFC was established in 1912 as the British Board of Film Censors, under the aegis of the Incorporated Association of Kinematograph Manufacturers, [10] by film trade associations who preferred to manage their own censorship than to have national or local government do it for them.