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The Sacrifice of Isaac is the title of two paintings from c. 1598 - 1603 depicting the sacrifice of Isaac.The paintings could be painted by the Italian master Caravaggio (1571–1610) but there is also strong evidence that they may have been the work of Bartolomeo Cavarozzi, a talented early member of the Caravaggio following who is known to have been in Spain about 1617–1619.
Mosaic "Sacrifice of Isaac" – Basilica of San Vitale (547 AD) The Sacrifice of Isaac by Caravaggio (1603), in the Baroque tenebrist manner The Binding of Isaac (Hebrew: עֲקֵידַת יִצְחַק , romanized: ʿAqēḏaṯ Yīṣḥaq), or simply "The Binding" (הָעֲקֵידָה , hāʿAqēḏā), is a story from chapter 22 of the Book of Genesis in the Hebrew Bible.
The Sacrifice of Isaac is a 1635 autograph oil on canvas work by Rembrandt, now in the Hermitage Museum. A studio copy of it dating to 1636 is now in the Alte Pinakothek in Munich. [ 1 ] [ 2 ]
Caravaggio, The Sacrifice of Isaac, c. 1597-1598. Uffizi Museum, Florence. The model for Matthew, who is logically depicted as getting older and older from one painting to the next, [11] is probably the same one used in the Sacrifice of Isaac, and later in Saint Jerome in Meditation and the Incredulity of Saint Thomas.
The sacrifice of Isaac is cited in appeals for the mercy of God in later Jewish traditions. [28] The post-biblical Jewish interpretations often elaborate the role of Isaac beyond the biblical description and primarily focus on Abraham's intended sacrifice of Isaac, called the aqedah ("binding"). [5] According to a version of these ...
Sacrifice of Isaac (Andrea del Sarto) T. The Triumph of Judith with Stories from the Old Testament; W. Wittenberg Altarpiece This page was last edited on 15 May ...
Sacrifice of Isaac is a work by the Italian Renaissance painter Andrea del Sarto, existing in three versions at the Gemäldegalerie Alte Meister in Dresden (213 x 159 cm; 1527–1529 [1] [2]), the Cleveland Museum of Art (178 x 138 cm [3]) and the Museo del Prado (98 x 69 cm; c.1527–1530 [4]).
The Sacrifice of Isaac, 1627–28 At the time of his death, Domenichino's chief assistant was an obscure painter from Assisi, Francesco Raspantino, who inherited his master's studio. Earlier, Domenichino's principal pupils were Alessandro Fortuna, Giovanni Battista Ruggieri , Antonio Alberti called Barbalonga, Francesco Cozza , Andrea Camassei ...