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Snorri Sturluson quoted this old poem in Skáldskaparmál, saying that because of this legend Heimdallr is called "Seeker of Freyja's Necklace" (Skáldskaparmál, section 8) and Loki is called "Thief of Brísingamen" (Skáldskaparmál, section 16). A similar story appears in the later Sörla þáttr, where Heimdallr does not appear.
In the poem Þrymskviða, Thor wakes and finds that his powerful hammer, Mjöllnir, is missing. Thor turns to Loki first, and tells him that nobody knows that the hammer has been stolen. The two then go to the court [4] of the goddess Freyja, and Thor asks her if he may borrow her feather cloak so that he may attempt to find Mjöllnir. Freyja ...
When "Freyja" arrives in the morning, Thrym is taken aback by her behavior; her immense appetite for food and mead is far more than what he expected, and when Thrym goes in for a kiss beneath "Freyja's" veil, he finds "her" eyes to be terrifying, and he jumps down the hall. The disguised Loki makes excuses for the bride's odd behavior, claiming ...
The story parallels elements of earlier stories such as Heimskringla (euhemerization of gods), parts of the poem Lokasenna (Loki's accusation of Gefjun sleeping with a boy for a necklace), parts of the Húsdrápa poem (Loki stealing the necklace Brísingamen), and the eternal battle Hjaðningavíg (various earlier sources).
An engrossing account of “how Shakespeare became Shakespeare” has been named the greatest-ever winner of the U.K.’s leading nonfiction book prize. James Shapiro’s “1599: A Year in the ...
In the poem, the goddess Freyja meets the völva Hyndla and they ride together towards Valhalla. Freyja rides on her boar Hildisvíni and Hyndla on a wolf. Their mission is to find out the pedigree of Óttarr so that he can touch his inheritance, and the lay consists mostly of Hyndla reciting a number of names from Óttarr's ancestry.
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The poem begins with a description of a young woman weeping at the edge of a river, into which she throws torn-up letters, rings, and other tokens of love. An old man nearby approaches the woman and asks the reason for her sorrow. She responds by telling him of a former lover who pursued, seduced, and finally abandoned her.