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In art the Instruments either surrounded an image of Christ in andachtsbilder subjects such as the Man of Sorrows, or might appear by themselves - often the image of Christ's face on the Veil of Veronica was the focal point of the image. In both cases the purpose of the representations was to symbolize the sufferings of Christ during his Passion.
From the middle of the 4th century, after Christianity was legalized by the Edict of Milan in 313, and gained Imperial favour, there was a new range of images of Christ the King, [47] using either of the two physical types described above, but adopting the costume and often the poses of Imperial iconography.
The second scene shows the institution of the Eucharist, which may be shown as either the moment of the consecration of the bread and wine, with all still seated, or their distribution in the first Holy Communion, technically known in art history as the Communion of the Apostles (though in depictions set at the table the distinction is often ...
Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
One of the most spectacular works of art created by Raphael was the Disputation of the Holy Sacrament. The work is a fresco of church figures debating Transubstantiation. The work is located in Vatican City. [4] [5] Damaskinos saw the work and created his own version of the masterpiece. He created a Tribute to the Eucharist.
The rite of Dedication of a church and of the altar points out that the celebration of the Eucharist is "the principal and the most ancient part of the whole rite, because the celebration of the eucharist is in the closest harmony with the rite of the dedication of a church", and "the eucharist, which sanctifies the hearts of those who receive ...
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
In 2024 the National Gallery in London acquired Eucharist. Marriage remains in the collection of the Trustees of the Duke of Rutland’s 2000 Settlement, and is currently on loan to the National Gallery in London [4] The images linked to below are of the remaining six paintings of the first series, and an engraving of the lost painting Penance: