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The additional CD, Rarities, features a full disc of rare, live and demo recordings, including cover versions of tracks by David Bowie, Talk Talk and Kraftwerk. Of special interest is the inclusion of "Soul Destroyer", a demo of a track from sessions for the band's debut album, Fanfare for the Comic Muse , an album which had previously been all ...
Foxing began in 2011 following the end of the group Hunter Gatherer, [1] a post-rock band active from 2008 to 2010 that featured Josh Coll, Jon Hellwig and Matthew Piva. The initial lineup of the band shortly expanded to include Conor Murphy, who was then the bassist of the then active emo group Family Might and formerly the vocalist of the indie/post-rock band Torchlight Red.
The Albatross is the debut studio album by American indie rock band Foxing. The album was released on November 12, 2013 through Count Your Lucky Stars Records . Reception
The disruptions caused by the COVID-19 pandemic caused multiple difficulties for Foxing. They had planned to "road test" a handful of songs on Draw Down the Moon during a May 2020 tour with Bent Knee before the virus brought touring to a halt, and to make up for the lost income usually provided by touring, Murphy and guitarist Eric Hudson both began offering music lessons over Skype. [7]
On September 25, 2015, Foxing released the second single off the album, "Weave". [10] Writing for The Wall Street Journal , Eric Danton described the song as lush and having a textured feel. [ 10 ] In a positive review of the track, Gabriela Tully Claymore, writing for Stereogum described the track as a majestic return for Foxing.
The History Mix Volume 1 is the sixth studio album by English duo Godley & Creme, released in June 1985 by Polydor Records. The album was a remix of songs spanning the career of Godley & Creme and their earlier bands, 10cc , Doctor Father and Hotlegs .
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Beth Bowles of Exclaim! gave the release a 7 out of 10, explaining "while Foxing haven't totally abandoned their previous post-punk roots, Nearer My God clings tight to experimental synth-rock. This album has the kind of confusion we associate with Radiohead; sometimes it's rock, sometimes it's punk, sometimes it's just noise."