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Photo-text, also written as photo/text, is a hybrid form of artistic expression that combines photography and textual elements to convey a message or create a narrative. This combination allows for a multi-dimensional experience for the viewer.
"A picture is worth a thousand words" is an adage in multiple languages meaning that complex and sometimes multiple ideas [1] can be conveyed by a single still image, which conveys its meaning or essence more effectively than a mere verbal description.
Although emphasis is useful in speech, and so has a place in informal or journalistic writing, in academic traditions it is often suggested that italics are only used where there is a danger of misunderstanding the meaning of the sentence, and even in that case that rewriting the sentence is preferable; in formal writing the reader is expected ...
A simple smiley. This is a list of emoticons or textual portrayals of a writer's moods or facial expressions in the form of icons.Originally, these icons consisted of ASCII art, and later, Shift JIS art and Unicode art.
In Vietnam, the emphasis mark (dấu nhấn mạnh) was written with various marks such as a dot, circle, or a sesame dot. It is commonly positioned to the right of the character. After Vietnam switched to the Latin alphabet, emphasis marks fell into disuse as bolding, underlining, and italics replaced the usage of emphasis marks.
Most signs operate on several levels—iconic as well as symbolic and/or indexical. This suggests that visual semiotic analysis may be addressing a hierarchy of meaning in addition to categories and components of meaning. As Umberto Eco explains, "what is commonly called a 'message' is in fact a text whose content is a multilevel discourse". [2]
Today a number of abstract examples following certain conventions are occasionally used for names, primarily for corporate logos or product logos and incorporating some characters of the name, as in a monogram; see Japanese rebus monogram. The most familiar example globally is the logo for Yamasa soy sauce, which is a ∧ with a サ under it.
According to Roland Barthes the coded iconic message is the story that the image portrays. This message is easily understood and the images represent a clear relationship. [1] The "reader" of the image applies their knowledge to the encoding of the photo. An image of a bowl of fruit for example might imply still life, freshness or market stalls ...