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The great Gothic wave, which stretches from 1764 with Horace Walpole's The Castle of Otranto to around 1818-1820, features ghosts, castles and terrifying characters; Satanism and the supernatural are favorite subjects; for instance, Ann Radcliffe presents sensitive, persecuted young girls who evolve in a frightening universe where secret doors open onto visions of horror, themes even more ...
Frankenstein; or, The Modern Prometheus is an 1818 Gothic novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously ...
In Mary Shelley's Frankenstein, Victor Frankenstein, driven by his insatiable desire for knowledge and enlightenment, creates a monster using body parts from deceased criminals in an attempt to make the perfect human being, one who is stronger and smarter than all others. Shortly after, Frankenstein regrets his creation and deserts it.
Richard Rothwell, Mary Shelley, (1839-40) This is a bibliography of works by Mary Shelley (30 August 1797 – 1 February 1851), the British novelist, short story writer, dramatist, essayist, biographer, and travel writer, best known for her Gothic novel Frankenstein: or, The Modern Prometheus (1818). She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy ...
TeachingBooks.net is an website containing children's books, young adult literature, and information on their authors.The site contains educational materials and programs (short movies, audiobook readings, book discussion guides) that add a multimedia dimension to reading.
Leonard Wolf (March 1, 1923 – March 20, 2019) [1] was a Romanian-American poet, author, teacher, and translator. He is known for his authoritative annotated editions of classic gothic horror novels, including Dracula, Frankenstein, The Strange Case of Dr Jekyll and Mr Hyde, and The Phantom of the Opera, and other critical works on the topic; and also for his Yiddish translations of works ...
By the time of the novel's publication these sequences had been absorbed by the Gothic genre and had become signposts for contemporary readers confirming the work as fiction, or at least of suspect origin. [13] This tradition gains its peak recognition within the Gothic novel in Mary Shelley's most famous work, Frankenstein.
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