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The Scapegoat (1854–1856) is a painting by William Holman Hunt which depicts the "scapegoat" described in the Book of Leviticus.On the Day of Atonement, a goat would have its horns wrapped with a red cloth – representing the sins of the community – and be driven off.
Critic Robert Hughes ignited controversy by insisting that the work referenced homoerotic themes and subtext, saying, "One looks at it remembering that the goat is an archetypal symbol of lust, so Monogram is the most powerful image of anal intercourse ever to emerge from the rank psychological depths of modern art. Yet it is innocent, too, and ...
This page was last edited on 9 December 2015, at 02:28 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
American Gothic is a 1930 oil on beaverwood painting by the American Regionalist artist Grant Wood.Depicting a Midwestern farmer and his daughter standing in front of their Carpenter Gothic style home, American Gothic is one of the most famous American paintings of the 20th century and is frequently referenced in popular culture.
The title El Gran Cabrón (The Great He-Goat) was given by painter Antonio Brugada (1804–1863). [9] The Basque term for a Witches' Sabbath, akelarre, is the source of the Spanish title Aquelarre and a derivation of akerra, the Basque word for a male goat, which may have been combined with the word larre ("field") to arrive at akelarre. [10]
The work is Cubist in construction and contains many soft, dreamlike images overlapping one another in a continuous space. [1] [2] In the foreground, a cap-wearing green-faced man stares at a goat or sheep with the image of a smaller goat being milked on its cheek.
They are displayed in several parts of the palace, including the new Cumberland Art Gallery. [1] In September 2015, the Royal Collection recorded 542 works (only those with images) as being located at Hampton Court, mostly paintings and furniture, but also ceramics and sculpture. The full current list can be obtained from their website. [2]