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Di Bawah Lindungan Ka'bah is the second film adaptation of Hamka's novel Di Bawah Lindungan Ka'bah, following an adaptation in 1977 by Asrul Sani. [2] Unlike the original novel, which included numerous flashbacks, the plot is chronological.
Di Bawah Lindungan Ka'bah (Under the Protection of Ka'bah) is the 1938 debut novel of the Indonesian author Haji Abdul Malik Karim Amrullah (1908–1981). Written while the author worked in Medan as the editor of an Islamic weekly magazine, the novel follows the doomed romance of a young Minang couple from different social backgrounds.
The tradition of covering the Kaaba predates the emergence of Islam, with various Yemeni textiles composing the draping. [3] According to Ibn Hisham, King Tubba Abu Karib As'ad of the Himyarite Kingdom, who would later become a revered figure in Islamic traditions, clothed Kaaba for the first time during the rule of the Jurhum tribe of Mecca in the early fifth century CE after learning about ...
Anwar first read "Aku" at the Jakarta Cultural Centre in July 1943. [1] It was then printed in Pemandangan under the title "Semangat" ("Spirit"); according to Indonesian literary documentarian HB Jassin, this was to avoid censorship and to better promote the nascent independence movement. [2] "Aku" has gone on to become Anwar's most celebrated ...
Palace of the Masks detail. 2002 photo Map of the Kabah Maya archeological zone. The most famous structure at Kabah is the "Palace of the Masks", the façade decorated with hundreds of stone masks of the long-nosed rain god Chaac; it is also known as the Codz Poop, meaning "Rolled Matting", from the pattern of the stone mosaics. [1]
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Bani Shaiba gatekeeper, c.1880 Key to the Ka'ba at the time of Sultan Barquq of Egypt. The Bani Shaiba (Arabic: بني شيبه, lit. ' the sons of Shaiba ') are an Arab clan belonging to the Banu Abd al-Dar sub-clan, that are part of the larger erstwhile Quraysh tribal confederation in the Hejaz region of modern Saudi Arabia.
Indonesian slang vernacular (Indonesian: bahasa gaul, Betawi: basa gaul), or Jakarta colloquial speech (Indonesian: bahasa informal, bahasa sehari-hari) is a term that subsumes various urban vernacular and non-standard styles of expression used throughout Indonesia that are not necessarily mutually intelligible.