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Musical quotation is the practice of directly quoting another work in a new composition. The quotation may be from the same composer's work (self-referential), or from a different composer's work (appropriation).
The mostly syllabic recitativo secco [A] ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through recitativo accompagnato (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be ...
A musician who plays any instrument with a keyboard. In Classical music, this may refer to instruments such as the piano, pipe organ, harpsichord, and so on. In a jazz or popular music context, this may refer to instruments such as the piano, electric piano, synthesizer, Hammond organ, and so on. Klangfarbenmelodie (Ger.)
The last line of the first stanza is repeated verbatim (indicated by a capital letter) at the end of subsequent stanzas and the envoi. Example: Algernon Charles Swinburne’s translation “Ballade des Pendus” by François Villon. [1] Rondeau: a mainly octosyllabic poem consisting of between 10 and 15 lines and 3 stanzas.
Musical phrasing is the method by which a musician shapes a sequence of notes in a passage of music to allow expression, much like when speaking English a phrase may be written identically but may be spoken differently, and is named for the interpretation of small units of time known as phrases (half of a period).
As a direction in sheet music, ad libitum indicates that the performer or conductor has one of a variety of types of discretion with respect to a given passage: . to play the passage in free time rather than in strict or "metronomic" tempo (a practice known as rubato when not expressly indicated by the composer);
It hit No. 1 on iTunes. It won historic awards. It drew the admiration of the creator and the streamer of the show on which it was based. And then it went too far, says Netflix. Now the streamer ...
The company did not record the interviews, and the actors did not write them down until after the interview was over. Indeed, Dan Balcazo notes in his Theatermania review of "Gone Missing", "Certain sections appear to be verbatim transcripts of interviews, while others seem more fictionalized, or at the very least exaggerated for comic effect". [2]