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The Rattlesnakes was a British skiffle/rock and roll group, founded in Manchester in 1955 by Barry Gibb, which later changed to become the Bee Gees in 1958. [3] [4] They were one of the many skiffle bands that were formed in the United Kingdom in the 1950s since the revival of the American skiffle in the UK that was originally started in the 1920s, 1930s and 1940s.
The Rattlesnakes (1955 band) The Ravens; The Regents; The Righteous Brothers; Norman Fox & The Rob-Roys; The Robins; The Sensations; The Shadows; The Shepherd Sisters; The Solitaires; Sons of The Pioneers; The Spaniels; The Sparkletones; The Spiders; The Spinners; Joey Dee & The Starliters; The Stereos; The Swallows; Mickey & Sylvia; Tátrai ...
The Rattlesnakes may refer to: The Rattlesnakes (1950s band) , a British band that evolved into the Bee Gees Frank Carter & The Rattlesnakes , a British punk band formed in 2015
Songs of Love may refer to: Songs of Love (Anita Ward album) Songs of Love (Mark Eitzel album) Songs of Love (Simply Red album) Songs of Love, a 2003 compilation album by Sting "Songs of Love", a track on Casanova by The Divine Comedy, first used as the theme music for comedy series Father Ted
I Just Found Out About Love; I Love You, Samantha; I Thought of You; I Wish You Would (Billy Boy Arnold song) I'll Be Home; I'll Never Stop Loving You (1955 song) I'm a Man (Bo Diddley song) I'm Beginning To Forget You; I'm Left, You're Right, She's Gone; I've Been Thinking; If the Good Lord's Willing and the Creek Don't Rise; In the Wee Small ...
US Billboard 1 – Aug 1955 (21 weeks), US CashBox 1 – Aug 1955 (29 weeks), Radio Luxembourg sheet music 1 for 1 week – Jan 1956, Oscar in 1955 (film 'Love is a Many Splendored Thing'), UK 2 – Nov 1955 (13 weeks), Peel list 2 of 1955, Italy 3 of 1956, DZE 3 of 1955, US BB 9 of 1955, POP 9 of 1955, Flanders 13 – Dec 1955 (3 months), RYM ...
Simon K. of Sputnikmusic called it "easily the best Rattlesnakes album since Modern Ruin" with "sashaying, fuzzed-out rock grooves, retro-esque synths, dour ballads, and a creeping psychedelic undercurrent [being] the main order of the day, and while the guitar aspect of the record certainly has the most derivative aspects, it's all pulled off ...
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