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"Rumble" is an instrumental by American group Link Wray & His Wray Men. Released in the United States on March 31, 1958, as a single (with "The Swag" as a B-side), "Rumble" utilized the techniques of distortion and tremolo, then largely unexplored in rock and roll.
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Reflecting the cultures that settled North America, the roots of old-time music are in the traditional musics of the British Isles, [2] Europe, and Africa. African influences are notably found in vocal and instrumental performance styles and dance, as well as the often cited use of the banjo; in some regions, Native American, Spanish, French and German sources are also prominent. [3]
Instrumental rock is rock music that emphasizes musical instruments and features very little or no singing. An instrumental is a musical composition or recording without lyrics , or singing , although it might include some inarticulate vocals , such as shouted backup vocals in a big band setting.
Walk, Don't Run (instrumental) The War Lord (instrumental) Washington Square (composition) Watermelon Man (composition) Wheels (The String-A-Longs song) Whipped Cream (song) White Summer; Wiggle Wobble; Wild Weekend (instrumental) Wipe Out (instrumental) Wonderful Land; Wonderland by Night
The 9:37 song, the fourth and final track of the album, was Rush's first entirely instrumental piece. The multi-part piece was inspired by a dream guitarist Alex Lifeson had, and the music in these sections correspond to the occurrences in his dream. The opening segment was played on a nylon-string classical guitar.
“Pipeline” was originally written by Robert M Burns and sold to the Chantays. Robert also wrote many other surf songs of that era including "K-39." The hit single was released in December 1962 on the label Downey, [1] and was picked up for nationwide distribution by Dot Records as Dot 15-16440 in January 1963. [2]
The instrumental peaked at number two for three weeks on the Billboard Hot 100, [4] and was the biggest R&B hit of the year, spending thirteen non-consecutive weeks at the top of the charts. [5] It was included in Robert Christgau 's "Basic Record Library" of 1950s and 1960s recordings, published in Christgau's Record Guide: Rock Albums of the ...