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Example 2 (above) is effectively a prolongation of the dominant seventh chord G 7 which utilises chromatic voice movement. The bass voice descends chromatically while the upper voice ascends chromatically, and the inner voices remain stationary on the notes of D and F. Eventually the chromatic movement results in a new inversion of the dominant ...
The algorithm used minimized the total sum of local cost L(p) and transition cost T(p,q), where p is the realisation of the actual bass note, and q the realisation of the next one. Local cost L(p) is a.o. expressed by the probability of an inversion of the chord for bass note p and the width of the chord (is it playable?).
A part notated with figured bass consists of a bass line notated with notes on a musical staff plus added numbers and accidentals (or in some cases (back)slashes added to a number) beneath the staff to indicate what intervals above the bass notes should be played, and therefore which inversions of which chords are to be played.
Some sources notate slash chords with a horizontal line, [3] although this is discouraged as this type of notation can also imply a polychord.While almost all pop and rock usages of slash chords are intended to be read as a chord with a bass note underneath it other than the root of the chord, in jazz and jazz fusion, sometimes a chord notated as F/A is intended to be read as a polychord; in ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Oom-pah played by accordion on C major chord with alternate bass Play ⓘ. In music, alternate bass is a performance technique on many instruments where the bass alternates between two notes, most often the root and the fifth of a triad or chord. The perfect fifth is often, but not always, played below the root, transposed down an octave ...