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"Question" is a 1970 single by the English progressive rock band the Moody Blues. It was written by guitarist Justin Hayward, who provides lead vocals."Question" was first released as a single in April 1970 and remains their second highest-charting song in the UK, reaching number two and staying on the chart for 12 weeks.
Part of the band poses a musical "question", or a phrase that feels unfinished, and another part of the band "answers" (finishes) it. In the blues, the B section often has a question-and-answer pattern (dominant-to-tonic). An example of this is the 1960 Christmas song "Must Be Santa":
Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.
Hokum is a particular song type of American blues music—a song which uses extended analogies or euphemistic terms to make humorous, [1] sexual innuendos. This trope goes back to early dirty blues recordings, enjoyed huge commercial success in the 1920s and 1930s, [1] and is used from time to time in modern American blues and blues rock.
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key.
An answer song, response song or answer record is a song (usually a recorded track) made in answer to a previous song, normally by another artist. The concept became widespread in blues and R&B recorded music in the 1930s to the 1950s.
Within the tradition of Religious Jewish music, melisma is still commonly used in the chanting of Torah, readings from the Prophets, and in the body of a service. [5] Today, melisma is commonly used in Middle Eastern, African, and African American music, Irish sean nós singing, and flamenco. African music infused the blues with melisma.