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Adult male actors, however, continued to play both female and male characters, and kabuki retained its popularity, remaining a key element of the Edo period urban life-style. Although kabuki was performed widely across Japan, the Nakamura-za, Ichimura-za and Kawarazaki-za theatres became the most widely known and popular kabuki theatres, where ...
Onnagata (女形/女方, lit. 'female role'), also oyama (女形), are male actors who play female roles in kabuki theatre. [1] It originated in 1629 after women were banned from performing in kabuki performances. [2] There are many specific techniques that actors must learn to master the role of onnagata.
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Kabuki plays (翻案物) adapted from foreign works but reset with Japanese characters and settings. Honbutai The main performance area or "main stage" (本舞台) of the Noh theater, distinguished from the bridgeway and subsidiary spaces. Honmizu Real water effects (本水) used as spectacular stage techniques (keren) in kabuki performances ...
Kabuki characters (43 P) F. Fiction about Kabuki (2 C, 3 P) K. Kabuki families (6 C) T. Kabuki theatres (1 C, 7 P) Pages in category "Kabuki" The following 55 pages ...
Onna-musha (女武者) is a term referring to female warriors in pre-modern Japan, [1] [2] who were members of the bushi class. They were trained in the use of weapons to protect their household, family, and honour in times of war; [ 3 ] [ 4 ] many of them fought in battle alongside samurai men.
Umeda Arts Theatre, the Musicals of Japan Origin project, [12] Meijiza, and other companies have also produced original musicals in Japan. Japan has also seen productions of musicals from South Korea, France, Austria, and other places around the world that have not had English-language productions. Elisabeth is the most famous of these.
Pages in category "Kabuki actors" The following 84 pages are in this category, out of 84 total. This list may not reflect recent changes. B. Bandō Kakitsu I;