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Kintsugi is the general concept of highlighting or emphasizing imperfections, visualizing mends and seams as an additive or an area to celebrate or focus on, rather than absence or missing pieces. Modern artists and designers experiment with the ancient technique as a means of analyzing the idea of loss, synthesis, and improvement through ...
Wabi-sabi can be described as "the most conspicuous and characteristic feature of what we think of as traditional Japanese beauty. It occupies roughly the same position in the Japanese pantheon of aesthetic values as do the Greek ideals of beauty and perfection in the West."
kintsugi 金継ぎ, the artisanry of repairing broken pottery using urushi lacquer and dusted with powdered gold, silver, or platinum, to emphasise the damage. lit. "golden joinery". Also known as kintsukuroi 金繕い, "golden repair". [8]
Plaque of the Federal Monuments Office on a building in Salzburg indicating "Cultural property" in four languages; German: Kulturdenkmal, English: Cultural property, French: Bien culturel, and Russian: Культурное достояние.
Some of the typical vessel (器 utsuwa) types are: . tea bowl (茶碗 chawan); jar (壷 tsuba); bowl (鉢 hachi); tea caddy (茶入 chaire); The various features of a vessel such as the opening, rim, neck, wall, inside, foot, surface markings, etc. all have standardised names in Japanese.
Kintsugi is the Japanese art of repairing broken pottery with lacquer dusted or mixed with powdered gold, silver, or platinum. Kintsugi may also refer to:
Kyūsu pots with side handle (right) and top handle, design by Masahiro Mori Kyūsu tea pot with side handle. A kyūsu (急須) is a traditional Japanese teapot mainly used for brewing green tea.
Hori-Mishima stoneware tea bowl with inlaid slip under glaze, Joseon dynasty, c. 1580–1610. Made to order in south Gyeongsang Province for the Japanese market.. Mishima ware (三島焼) refers to different types of imported and adopted Japanese pottery.