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Alesis is known for budget equipment but has produced high-end and innovative gear such as the Alesis Fusion music production workstation, the Alesis Andromeda A6 analog synthesizer, the Ion virtual analog modeling synthesizer or the Ion-based Micron. Alesis developed equipment for recording studios during the 1990s.
The first use of pedals on a pipe organ grew out of the need to hold bass drone notes, to support the polyphonic musical styles that predominated in the Renaissance. Indeed, the term pedal point, which refers to a prolonged bass tone under changing upper harmonies, derives from the use of the organ pedalboard to hold sustained bass notes. [2]
For anyone who has avoided stand-up paddle boarding because they're afraid of falling, this new board may just be the answer you're looking for. The stand-up pedal board is this summer's must-try ...
Fig. 2: A metal pedalboard with wheels using a single rechargeable effects pedal battery. Some power supplies have a powerful rechargeable battery can be used to drive all the pedals, and a battery charger to recharge the battery. There are batteries on the market that can power over 20 effects pedals for eight hours on a single charge.
In the Quadrasynth's composite synthesis system, up to four "tones" are used to create a single "patch" or synthesizer sound. These individual "tones" are created by using 16-bit digital single-cycle waveforms or digital samples as oscillator sources, and are then processed via a digital non-resonant filter, various LFOs and envelope generators, and so on - in the usual manner.
The little brother of the Ion is the Alesis Micron, which is extremely compact and portable. It came out in 2004 with almost the same synthesis engine and the same metal/plastic housing style as the Ion, but with only 37 keys and fewer knobs and buttons. It boasts reverb, long delay, and a pattern sequencer.