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Barfield argues that if, as physics suggests, ordinary appearances—including for example colors, sounds, and smells—are a kind of subjective response of the human organism to an unknown underlying base of reality, and if what underlies our phenomena and is real independently of us is only what is suggested by science's experimental hypotheses of a subatomic world; if, that is, we must ...
Manipulation to physical appearance (e.g., novel hair color) Accessory that is infrequent in presence across the general population or indicative of an individual change (e.g., a leg brace) The social salience of an individual in a group is defined both by individual salient attributes and comparison with the attributes of other members of the ...
A meaning explains the occurrence of a particular word in the sense that if there had been a different meaning to be expressed, a different word would probably have appeared. Meaning has certain advantages over ideas because they have the possibility to be located outside the skin, and thus, according to Skinner, meanings can be observed directly.
Morphological psychology claims to be one of the most recent full psychology theories. It was developed in the 1960s by Professor Wilhelm Salber at the University of Cologne, Germany. In his understanding, morphology is the science of the structure of living things. "Morphing" describes the seamless transition from one state or appearance into ...
Ambiguity effect; Assembly bonus effect; Audience effect; Baader–Meinhof effect; Barnum effect; Bezold effect; Birthday-number effect; Boomerang effect; Bouba/kiki effect
Phenomenology or phenomenological psychology, a sub-discipline of psychology, is the scientific study of subjective experiences. [1] It is an approach to psychological subject matter that attempts to explain experiences from the point of view of the subject via the analysis of their written or spoken words. [ 2 ]
Appearance and Reality (1893; second edition 1897) [1] is a book by the English philosopher Francis Herbert Bradley, in which the author, influenced by Georg Wilhelm Friedrich Hegel, argues that things like qualities and relations, space and time, matter and motion, selves and bodies, and activity and change, are all contradictory and unreal appearances.
In philosophy and psychology, an alief is an automatic or habitual belief-like attitude, particularly one that is in tension with a person's explicit beliefs. [1] For example, a person standing on a transparent balcony may believe that they are safe, but alieve that they are in danger .