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Marc Chagall [a] (born Moishe Shagal; 6 July [O.S. 24 June] 1887 – 28 March 1985 [b]) was a Russian and French artist. [c] An early modernist, he was associated with the École de Paris, as well as several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art ...
Bella Rosenfeld Chagall (Russian: Бэлла Розенфельд-Шагал, Yiddish: בעלאַ ראָזענפעלד) (14 December 1889 [1] – 2 September 1944) was a Jewish Russian writer born in Vitebsk, Russian Empire, nowadays Belarus, and the first wife of painter Marc Chagall.
Marc Chagall, 1913, La femme enceinte (Maternité), oil on canvas, 193 x 116 cm, Stedelijk Museum, Amsterdam Source Stedelijk Museum. Date 1913 Author Marc Chagall. Permission (Reusing this file) See below.
Bella with White Collar (French: Bella au col blanc) is a painting done by Belarusian-French artist Marc Chagall in 1917. It is a portrait of Bella Rosenfeld Chagall , Chagall's wife at the time. The two tiny figures at the bottom are thought to represent the artist and the couple's daughter, Ida. [ 1 ]
The Painter and His Fiancée is an oil on canvas painting by Marc Chagall, from 1980. It is held since 1990 in the Pushkin Museum, in Moscow. [1] A double portrait from his final years, it depicts a nocturnal view of Paris, with a couple at the right, a painter, holding his palette, and a reclined woman. The couple, according with the title of ...
By juxtaposing this imagery, Soleil dans le ciel de Saint-Paul combines Chagall's love of his Mediterranean home with his characteristic dream-like pictorial vision. With its free-flowing style and bright, translucent colours, the work exemplifies the effect that the south of France had on Chagall's art. [2] ‘The Southern French landscape has ...
Green Violinist is a 1923–24 painting by artist Marc Chagall that is now in the permanent collection of the Solomon R. Guggenheim Museum in New York City. [1] The work depicts a fiddler as the central figure who appears to be floating or dancing above the much smaller rooftops of the misty gray village below.
The Tree of Life) and daringly whimsical style were at the time considered groundbreaking. [6] Its frenetic, fanciful style [3] is credited to Chagall's childhood memories becoming, in the words of scholar H. W. Janson, a "cubist fairy tale" [7] reshaped by his imagination, without regard to natural color, size or even the laws of gravity. [3]