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The Best of Cannonball Adderley: The Capitol Years (1991) Deep Groove! The Best of Cannonball Adderley (1994) Sophisticated Swing: The EmArcy Small Group Sessions (1995) - compiles Sophisticated Swing, Cannonball Enroute, Cannonball's Sharpshooters, & Nat Adderley's To the Ivy League from Nat; Greatest Hits: The Riverside Years (1998)
Phenix is an album by jazz saxophonist Cannonball Adderley recorded in 1975 at the Fantasy Studios in Berkeley, California, featuring performances by Adderley's Quintet with Nat Adderley, keyboardist Michael Wolff, bassist Walter Booker and drummer Roy McCurdy with guest percussionist Airto Moreira and past Quintet members keyboardist George Duke, bassist Sam Jones, and drummer Louis Hayes ...
Mercy, Mercy, Mercy! Live at "The Club" is a 1967 live in-studio album by The Cannonball Adderley Quintet, the jazz group formed by musician Cannonball Adderley. [2] It received the Grammy Award for Best Instrumental Jazz Performance – Group or Soloist with Group in 1967, [3] and was added to the Grammy Hall of Fame in 2021.
Adderley is perhaps best remembered by the general public for the 1966 soul jazz single "Mercy, Mercy, Mercy", [5] which was written for him by his keyboardist Joe Zawinul and became a major crossover hit on the pop and R&B charts.
The Allmusic review by Richard S. Ginell awarded the album 3½ stars and states "this is one of the best and most overlooked of the Cannonball Adderley Capitols, a rumbling session that bursts with the joy of working in an unfamiliar yet vital rhythmic context". [5]
The Black Messiah is a live album by jazz saxophonist Cannonball Adderley recorded at The Troubadour in Los Angeles, California in 1971 featuring performances by Adderley's Quintet with Nat Adderley, George Duke, Walter Booker and Roy McCurdy with guest appearances by Airto Moreira, Mike Deasy, Ernie Watts, Alvin Batiste, and Buck Clarke. [3]
Things Are Getting Better is the 11th album by jazz saxophonist Cannonball Adderley, and his second release on the Riverside label, featuring performances with Milt Jackson, Wynton Kelly, Percy Heath and Art Blakey. [2] Recorded in October 1958, the album was released in early 1959.
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