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Advanced Audio Coding is designed to be the successor of the MPEG-1 Audio Layer 3, known as MP3 format, which was specified by ISO/IEC in 11172-3 (MPEG-1 Audio) and 13818-3 (MPEG-2 Audio). Improvements include: more sample rates (from 8 to 96 kHz) than MP3 (16 to 48 kHz);
The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.
Opus is a lossy audio coding format developed by the Xiph.Org Foundation and standardized by the Internet Engineering Task Force, designed to efficiently code speech and general audio in a single format, while remaining low-latency enough for real-time interactive communication and low-complexity enough for low-end embedded processors.
Quality is dependent on the choice of encoder and encoding parameters. [76] This observation caused a revolution in audio encoding. Early on bit rate was the prime and only consideration. At the time MP3 files were of the very simplest type: they used the same bit rate for the entire file: this process is known as constant bit rate (CBR ...
The 3GPP consortium released source code of a reference HE-AACv2 encoder that appears to offer competitive quality. [18] Winamp Pro also supports ripping music to HE-AAC. Using a transcoding plugin for Winamp's media library, any file can be transcoded to HE-AAC. [19]
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Approximate dynamic range and bandwidths of some high-resolution audio formats. High-resolution audio is generally used to refer to music files that have a higher sampling frequency and/or bit depth than that of Compact Disc Digital Audio (CD-DA), which operates at 44.1 kHz/16-bit.