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Filipino rituals are often shown in dance, because for Filipinos, dance is the highest symbolic form. It transcends language and is able to convey emotions, collective memory, and articulate their purpose. Dance in this case, is the fundamental expression of their complex message and intention.
Tinikling is a traditional Philippine folk dance which originated prior to Spanish colonialism in the area. [1] The dance involves at least two people beating, tapping, and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles in a dance.
Order of National Artists of the Philippines. Francisca Reyes-Aquino (March 9, 1899 – November 21, 1983) was a Filipino folk dancer and academic noted for her research on Philippine folk dance. She is a recipient of the Republic Award of Merit and the Ramon Magsaysay Award and is a designated National Artist of the Philippines for Dance.
Lucrecia Reyes Urtula. Lucrecia Faustino Reyes-Urtula (June 29, 1929 – August 4, 1999) was a Filipino choreographer, theater director, teacher, author and researcher on ethnic dance. She was the founding director of the Bayanihan Philippine National Folk Dance Company and was named National Artist of the Philippines for dance in 1988. [1][2][3]
Pandanggo is a Philippine folk dance which has become popular in the rural areas of the Philippines. The dance evolved from Fandango, a Spanish folk dance, which arrived in the Philippines during the Hispanic period. The dance is accompanied by castanets. [1] This dance, together with the Jota, became popular among the illustrados or the upper ...
Singkil is an ethnic dance of the Philippines that has its origins in the Maranao people of Lake Lanao, a Mindanao Muslim ethnolinguistic group. The dance is widely recognized today as the royal dance of a prince and a princess weaving in and out of crisscrossed bamboo poles clapped in syncopated rhythm. While the man manipulates a sword and ...
Origin. Philippines. The cariñosa (Spanish pronunciation: [kaɾiˈɲosa], meaning loving or affectionate) is a Philippine dance of colonial-era origin from the Maria Clara suite of Philippine folk dances, where the fan or handkerchief plays an instrumental role as it places the couple in a romance scenario.
Philippine dance is influenced by the country's folk performing arts and its Hispanic traditions; a number of styles also have global influences. Igorot dances such as banga, [ 94 ] Moro dances such as pangalay and singkil , [ 95 ] Lumad dances such as kuntaw, kadal taho and lawin-lawin, and Hispanic dances such as maglalatik and subli have ...