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or, more idiomatically, "Beware the Tank!"), written by Heinz Guderian, a German World War II tank commander, is a book on the application of motorized warfare. First published in 1937, it expounds a new kind of warfare: the concentrated use of tanks, with infantry and air force in close support, later known as Blitzkrieg tactics.
Print. Die Natürlichen Pflanzenfamilien is a botanical work in German language, first published in many volumes between 1887–1915 and written by Adolf Engler (1844–1930) and Karl Anton Prantl (1849–1893). It contained a complete revision of plant families down to generic level and often even further. [1] As such it forms part of the ...
Cover of the original German edition of volume 1. Germany and the Second World War (German: Das Deutsche Reich und der Zweite Weltkrieg) is a 12,000-page, 13-volume work published by the Deutsche Verlags-Anstalt (DVA), that has taken academics from the military history centre of the German armed forces 30 years to finish. [1] [2]
Print/export Download as PDF; Printable version; Appearance. ... Pages in category "German textbook writers" The following 16 pages are in this category, out of 16 ...
The German school of fencing (Deutsche Schule; Kunst des Fechtens [a]) is a system of combat taught in the Holy Roman Empire during the Late Medieval, German Renaissance, and early modern periods. It is described in the contemporary Fechtbücher ("fencing books") written at the time.
Print/export Download as PDF; Printable version; ... Pages in category "German books" The following 74 pages are in this category, out of 74 total.
Cornelsen Verlag (German pronunciation: [kɔʁˈneːlzn̩]) is a German textbook publisher that offers educational media in Germany, Austria and Switzerland. [1]Initially focused on the English language, the publishing house, founded in Berlin in 1946, specialized in the development of textbooks for use in primary and secondary schools.
The Reader (German: Der Vorleser) is a novel by German law professor and judge Bernhard Schlink, published in Germany in 1995 and in the United States in 1997.The story is a parable dealing with the difficulties post-war German generations have had comprehending the Holocaust; Ruth Franklin writes that it was aimed specifically at the generation Bertolt Brecht called the Nachgeborenen (those ...