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Hindustani is the lingua franca of northern India and Pakistan, and through its two standardized registers, Hindi and Urdu, a co-official language of India and co-official and national language of Pakistan respectively. Phonological differences between the two standards are minimal.
Hindustani is a Central Indo-Aryan language based on Khari Boli (Khaṛi Boli). Its origin, development, and function reflect the dynamics of the sociolinguistic contact situation from which it emerged as a colloquial speech. It is inextricably linked with the emergence and standardisation of Urdu and Hindi.
Sahana. Sahana (pronounced sahānā) is a popular ragam (musical scale) in Carnatic music. It is a janya rāgam (derived scale) associated with the 28th Melakarta rāgam Harikambhoji. The Hindustani music ragam Sahana is an upper-tetrachord-dominant Kanada-anga raga, from the Kafi thaat, also allied with Bageshree and Bhimpalasi.
Jana Gana Mana (Bengali: জন গণ মন lit.'[Ruler of] the minds of the people') is the national anthem of the Republic of India. It was originally composed as " Bharoto Bhagyo Bidhata " in Bengali by polymath Rabindranath Tagore [ 1 ][ 2 ] on 11 December 1911. [ 3 ][ 4 ][ 5 ] The first stanza of the song Bharoto Bhagyo Bidhata was ...
t. e. Hindōḷaṃ is a ragam in Carnatic music (musical scale of South Indian classical music). It is an audava rāgam (5 notes in arohana and avarohana) as it does not have all the seven swaras (musical notes). Hindolam is not the same as the Hindustani Hindol. The equivalent of Hindolam in Hindustani music is Malkauns [1] (or Malkosh [2]).
Jhaptal is a 10-beat pattern used in raga exposition. It has ten beats in four divisions (vibhag), of 2-3-2-3, the third of which is the khali, or open division. To follow the tal the audience clap on the appropriate beat, which in jhaptal is beats 1, 3 and 8 (the first beat in each full division). A wave of the hand indicates beat 6, the first ...
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Abhogi ( Ābhōgi) is a raga in Carnatic music and has been adapted to Hindustani music. [ 2 ] It is a pentatonic scale, an audava raga. [ 3 ] It is a derived scale ( janya raga), as it does not have all the seven swaras (musical notes). Ābhōgi has been borrowed from Carnatic music into Hindustani music and is also quite popular in the latter.