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It was also used as an alchemical symbol for lupus metallorum "the grey wolf", supposedly used to purify alloyed metals into pure gold. Lupus metallorum was used to purify gold, as the sulphur in the antimony sulphide bonds to the metals alloyed with the gold, and these form a slag which can be removed. The gold remains dissolved in the ...
A few fire screen desks had no screen per se but were simply lighter, narrower, and extremely thinner versions of the high secretary desk put on some form of permanent trestle mount. Their high form shielded the user's face from the heat of the flames while the open trestle mount at the bottom exposed the feet.
This list of tallest statues includes completed statues that are at least 50 m (160 ft) tall. The height values in this list are measured to the highest part of the human (or animal) figure, but exclude the height of any pedestal (plinth), or other base platform as well as any mast, spire, or other structure that extends higher than the tallest figure in the monument.
The statue's internal structure was renovated and its soapstone mosaic covering was restored by removing a crust of fungi and other microorganisms and repairing small cracks. The lightning rods located in the statue's head and arms were also repaired, and new lighting fixtures were installed at the foot of the statue. [27]
Illustration of stepwise bronze casting by the lost-wax method. Lost-wax casting – also called investment casting, precision casting, or cire perdue (French: [siʁ pɛʁdy]; borrowed from French) [1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture.
The statue was shipped in a wooden crate 2.5 inches (6.4 cm) thick with an 8-inch (20 cm) base, secured to the deck of the liner Cristoforo Colombo; in case of an accident, the crate contained cushioning so thick that it would float in water, and had an emergency locator beacon as well as a marker buoy attached.