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Momin Khan Momin (Moʾmin Xān Moʾmin; 1800 – 14 May 1852) was a late Mughal era poet known for his Urdu ghazals. A lesser-known contemporary of Ghalib and Zauq, he used "Momin" as his pen name. His grave is located in the Mehdiyan cemetery in Maulana Azad Medical College, Delhi. [3]
Insha Allah Khan 'Insha', Insha (1756–1817) Saadat Yaar Khan Rangin, Rangin (1757–1835) Bahadur Shah, Zafar (1775–1862) Imam Baksh Nasikh, Nasikh (1776–1838) Khwaja Haidar Ali Atish, Atish (1778–1846) Muhammad Ibrahim Khan, Zauq (1789–1854) Mirza Asadullah Khan Ghalib, Ghalib (1797–1869) Chhannu Lal Dilgeer, Ghulam Hussain (1780 ...
It is Bhansali's maiden stint in non-film music after his compositions for films. The album consisted of nine songs ranging from various genres such as ghazal, semi-classical and Indian folk music. The lyrics were primarily written by A. M. Turaz, Siddharth–Garima and Kumaar, alongside adaptations of poems from Ghalib and Momin Khan Momin.
Diwan-e-Ghalib is a poetry book written by the India born Persian and also Urdu poet Mirza Asadullah Khan Ghalib.It is a collection of the ghazals of Ghalib. [1] Though it does not include all of his ghazals as he was too choosy to include them all, still in many other copies of the Diwan Urdu scholars have tried to collect all of his precious works.
Ghazal poets frequently use this story as a simile or reference point to portray their love as similarly obsessive and pure. [40] Urdu ghazal is a form of lyrical poetry that originated in the Urdu language during the Mughal Empire. It consists of rhyming couplets, with each line sharing the same meter. [42]
Momin Khan Momin (1800–1851) poet known for his Urdu ghazals; Moti Lal Kemmu (1933– ), playwright; Muhammad Din Fauq (1877-1945) writer and first journalist of Kashmir. Muhammad Iqbal (1877–1938) Muslim poet and philosopher. Commonly referred to as Allama Iqbal
Abdur Rahman Baba, Robert Sampson, and Momin Khan. The Poetry of Rahman Baba: Poet of the Pukhtuns. Translated by Robert Sampson and Momin Khan. Peshawar: University Book Agency, 2005. Robert Sampson. "The Poetry of Rahman Baba: The Gentle Side of Pushtun Consciousness." Central Asia 52 (2003): 213–228. Robert Sampson and Momin Khan.
His ghazals also have some literary value. Since Bahadur Shah Zafar was fond of using simple and colloquial diction, Zauq too composed his ghazals using simple words, phrases of everyday use and similes rooted in the common culture. His ghazals are also notable for their spontaneity. Zauq was a deeply religious man.