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Pottery decorated using this technique is known as transferware or transfer ware. It was developed in England from the 1750s on, and in the 19th century became enormously popular in England, though relatively little used in other major pottery-producing countries. The bulk of production was from the dominant Staffordshire pottery industry ...
Ironstone china, ironstone ware or most commonly just ironstone, is a type of vitreous pottery first made in the United Kingdom in the early 19th century. It is often classed as earthenware [ 1 ] [ 2 ] although in appearance and properties it is similar to fine stoneware . [ 3 ]
Spode is an English brand of pottery and homewares produced in Stoke-on-Trent, England.Spode was founded by Josiah Spode (1733–1797) in 1770, and was responsible for perfecting two important techniques that were crucial to the worldwide success of the English pottery industry in the 19th century: transfer printing on earthenware and bone china.
Detail of a gilded, polychrome flow blue plate manufactured by Samuel Alcock, Staffordshire, "Hyson" pattern, c. 1843.. Flow blue (occasionally 'flown blue') is a style of white earthenware, sometimes porcelain, that originated in the Regency era, sometime in the 1820s, among the Staffordshire potters of England.
Chintzware, or chintz pottery, describes chinaware and pottery covered with a dense, all-over pattern of flowers (similar to chintz textile patterns) or, less often, other objects. It is a form of transferware where the pattern is applied by transfer printing as opposed to the more traditional method of painting by hand.
In 1995, the Hanley Pottery closed down and was soon demolished. At the same time, a review of many of the traditional Johnson Brothers lines led to a rationalization and a reduction in the number of patterns produced. In 2000, the tableware division of Johnson's temporarily moved to the J. & G. Meakin Eagle Pottery works.
The Ridgway family was one of the important dynasties manufacturing Staffordshire pottery, with a large number of family members and business names, over a period from the 1790s to the late 20th century. In their heyday in the mid-19th century there were several different potteries run by different branches of the family.
These innovative pieces exerted a long-lasting influence on porcelain design, especially in Britain, [29] and similar styles have seen a strong revival from the late 20th century, led by Portmeirion Pottery's "Botanic Garden" range, launched in 1972, using designs adapted from Thomas Green's Universal or-Botanical, Medical and Agricultural ...