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Spode is an English brand of pottery and homewares produced in Stoke-on-Trent, England.Spode was founded by Josiah Spode (1733–1797) in 1770, and was responsible for perfecting two important techniques that were crucial to the worldwide success of the English pottery industry in the 19th century: transfer printing on earthenware and bone china.
"Cauldon" also appears in various company names and brands; Cauldon Ware, was a term for early transfer-printed wares, much of which was exported to the United States, [13] Ridgway Pottery later merged with the Booths & Colclough China Company during the 1940s, and later became a part of Royal Doulton in 1972.
Pottery decorated using this technique is known as transferware or transfer ware. It was developed in England from the 1750s on, and in the 19th century became enormously popular in England, though relatively little used in other major pottery-producing countries. The bulk of production was from the dominant Staffordshire pottery industry ...
According to the Waterford Wedgwood company, production in China cost 70% less than did production in Britain. The closure of British production facilities eliminated around 1,000 British jobs, contributing to the rising unemployment in Britain's old pottery-making centre. [6] The Eagle Pottery works were demolished in 2005.
Ironstone in Britain's Staffordshire potteries was closely associated with the company founded by Mason following his patent of 1813, [1] [6] with the name subsequently becoming generic. [7] The strength of Mason's ironstone body enabled the company to produce ornamental objects of considerable size [ 8 ] [ 9 ] including vestibule vases 1.5 ...
J. & G. Meakin was an English pottery manufacturing company founded in 1851 [1] and based in Hanley, ... Eagle Pottery closed in 2004 when production was transferred ...
Decorated lavatory, late 19th century. The Royal Doulton company began as a partnership between John Doulton, Martha Jones, and John Watts, as Doulton bought (with £100) an interest in an existing factory at Vauxhall Walk, Lambeth, London, where Watts was the foreman.
These innovative pieces exerted a long-lasting influence on porcelain design, especially in Britain, [29] and similar styles have seen a strong revival from the late 20th century, led by Portmeirion Pottery's "Botanic Garden" range, launched in 1972, using designs adapted from Thomas Green's Universal or-Botanical, Medical and Agricultural ...