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The term can also be used for kinds of easy listening, [6] lounge, piano solo, jazz or middle of the road music, or what are known as "beautiful music" radio stations.. This style of music is sometimes used to comedic effect in mass media such as film, where intense or dramatic scenes may be interrupted or interspersed with such anodyne music while characters use an elevator.
Music for a French Elevator and Other Short Format Oddities by The Books (often referred to as simply Music for a French Elevator) is a 2006 release by the Books.It is a compendium on mini CD of four pieces created for the "1%" art and sound installation in the Ministry of Culture in Paris, France in 2004.
Muzak may also be referred to as "elevator music" or "lift music" (see also Music on hold). Though Muzak Holdings was for many years the best-known supplier of background music, and is commonly associated with elevator music, the company itself did not supply music to elevators. [6]
Throttle Elevator Music, occasionally billed as Throttle Elevator Music feat.Kamasi Washington, was a San Francisco Bay Area jazz ensemble active from 2011 to 2021. The group is influenced by punk, funk, hip-hop, and ska, while its performers were primarily composed of classically trained jazz instrumentalists.
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Music on hold was created by Alfred Levy, an inventor, factory owner, and entrepreneur. In 1962, Levy discovered a problem with the phone lines at his factory: a loose wire was touching a metal girder on the building.
Users on various music forums, as quoted by Vice, variously characterized the genre as "chillwave for Marxists", "post-elevator music", and "corporate smooth jazz Windows 95 pop". [12] Its circulation was more akin to an Internet meme than typical music genres of the past, as authors Georgina Born and Christopher Haworth wrote in 2017,
The record was first released in France in 1958 through Fontana Records.It became available in the US via import by September 1959. [7] It was subsequently released in the US by Columbia Records, as side one of the album Jazz Track, with the second side filled by three new tracks recorded with his regular sextet (later to be re-released on the 1958 Miles CD).