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"Nosedive" is the first episode in the third series of the British science fiction anthology series Black Mirror. Michael Schur and Rashida Jones wrote the teleplay for the episode, based on a story by series creator and co-showrunner Charlie Brooker, while Joe Wright acted as director.
In 2016, she appeared in "Nosedive", an episode of the anthology series Black Mirror. [13] In 2018, Jones played Holly, the feminist mother to June/Offred in The Handmaid's Tale. She won an Emmy for her performance. [14] In 2019, Jones played the role of a grouchy psychic and tarot card reader in the comedy Wine Country, [15] directed by Amy ...
Charlie Brooker, creator of Black Mirror Black Mirror is a British science fiction anthology series created by Charlie Brooker. The programme was inspired by The Twilight Zone and explores technology and its side-effects. It began on the British television network Channel 4 before moving to the American streaming platform Netflix and has run for six series between 2011 and 2023. There are 27 ...
"Rachel, Jack and Ashley Too" is the third and final episode of the fifth series of the anthology series Black Mirror. The episode was written by series creator and showrunner Charlie Brooker and directed by Anne Sewitsky; it was released on Netflix on 5 June 2019, alongside "Striking Vipers" and "Smithereens".
Victoria Woodhull was the first woman to run for president in the U.S. and she made her historic run in 1872 – before women even had the right to vote! She supported women's suffrage as well as welfare for the poor, and though it was frowned upon at the time, she didn't shy away from being vocal about sexual freedom.
A look at the lives of Dr. Susan Smith McKinney Steward, the first Black female doctor in New York, and her sister Sarah J. S. Tompkins Garnet, the first Black female principal in NYC.
Recently, teacher Sydney Natysin asked each of her elementary school students to draw her a heart, giving them each a blank piece of paper and a black marker. "I didn't tell them what it was for ...
Maybe you remember the USA Network’s original-programming heyday. From the early 2000s through 2020 or so, it had its own signature brand of high-gloss, lighthearted shows, most with an emphasis ...