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In 1961, Al Santiago created the Alegre All Stars (also spelled Alegre All-Stars), remembering the well-known Cuban Jam Sessions ("Descargas Cubanas") in the 1950s on the Panart Records label. Johnny Pacheco got his friend, the trombonist Barry Rogers , to play with the Alegre All-Stars which featured a unique instrumentation of flute, tenor ...
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These were followed by Puerto Rican All-Stars (1963) and Tributo a Noro (1964). Kako was a member of the Alegre All-Stars (and its spin-off Cesta All-Stars) and recorded with Alegre Records music director and pianist Charlie Palmieri. His important role in the group was reflected in songs like Estoy buscando a Kako and Kako y Palmieri.
The band's success led them to record four more albums for Alegre Records (Vols II–V). Pachecco also reunited with Charlie Palmieri for two albums: the 1961 jam session Alegre All-Stars and the collaborative album Las charangas. However, Al Santiago encountered financial difficulties, influencing Pacheco's decision to exit Alegre Records in 1963.
During the early 1960s, the descarga genre was revitalized in New York by the Alegre All-Stars, an ensemble featuring the most successful artists in the Alegre Records roster. The albums were produced by Al Santiago, who chose Charlie Palmieri as music director, and they would have a major influence on the development of salsa, launching the ...
Alegre All-Stars Vol. 1 (1961) Alegre All-Stars Vol. 2 - El Manicero (1964) Alegre All-Stars Vol. 3 - Lost and Found (1965) Alegre All-Stars Vol. 4 - Way Out (1966) Alegre All-Stars Vol. 5 - They Don't Make 'Em Like Us Anymore (1976) Alegre All-Stars Vol. 6 - Perdido/Te Invita (1977) (2008) Cesta All Stars Vol. 1 - (1975) Cesta All Stars Vol. 2 ...
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As salsa music began to grow in popularity, the Alegre record label began to host quite a few events at the Village Gate - many of which resulted in live recordings. Some of the live recordings from the Village Gate were the Alegre All-Star (and later Tico All-Star) Descarga sessions.