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v. t. e. Tiziano Vecellio (Italian: [titˈtsjaːno veˈtʃɛlljo]; c. 1488/90[1] – 27 August 1576), [2] Latinized as Titianus, hence known in English as Titian (/ ˈtɪʃən / ⓘ TISH-ən), was an Italian Renaissance painter, [a] the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. [4]
Danaë, 1544–1546. The original version in Naples, 120 cm × 172 cm. National Museum of Capodimonte [1] The Wellington Collection (London) version, now agreed to be the one sent to Philip II of Spain. Before restoration. Here, an aged maid has replaced Cupid, while the cloth covering Danaë's upper thigh is absent, leaving her naked.
Titian's connection to the House of Este family's patronage is seen as evidence of Titian being the creator of this painting. [13] The painting itself fits closer to Titian's artistic style because of the artist's use of symbolic minute detail and Rubenesque bodies in the genre of Venetian painting. [2]
Gemäldegalerie Berlin, organist, dog and Cupid, 115 x 210 cm. Venus and Musician refers to a series of paintings by the Venetian Renaissance painter Titian and his workshop. Titian's workshop produced many versions of Venus and Musician, which may be known by various other titles specifying the elements, such as Venus with an Organist, Venus ...
Flaying of Marsyas. The Flaying of Marsyas is a painting by the Italian late Renaissance artist Titian, probably painted between about 1570 and his death in 1576, when in his eighties. It is now in the Archbishop's Palace in Kroměříž, Czech Republic and belongs to the Archbishopric of Olomouc (administered by Olomouc Museum of Art ...
The Concert (c. 1543-1564) by Titian. The Concert or The Interrupted Concert is a c. 1510–1511 oil on canvas painting by Titian, now in the Galleria Palatina, in Florence. [ 1][ 2] A copy in the Galleria Borghese includes an additional fourth figure.
Pesaro Madonna. The Pesaro Madonna (Italian: Pala Pesaro) (better known as the Madonna di Ca' Pesaro) is a painting by the late Italian Renaissance master Titian, commissioned by Jacopo Pesaro, whose family acquired in 1518 the chapel in the Frari Basilica in Venice for which the work was painted, and where it remains today.
The painting was made by Titian for the Sala dei Baccanali in the Camerini d'alabastro for Alfonso I d'Este, after The Worship of Venus (1518–1519) and Bacchus and Ariadne (1520–1523) and Titian's intervention on The Feast of the Gods by Bellini in 1524–1525 where he retouched the landscape to match the style of the other paintings.