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"Lines Written in Windsor Forest" was sent in an undated letter to Martha Blount. [3] Pope to Martha Blount: "I arrived in the forest by Tuesday noon. I passed the rest of the day in those woods, where I have so often enjoyed a book and a friend; I made a hymn as I passed through, which ended with a sigh, that I will not tell you the meaning of."
W. White's apprentice in old age would later say that Poe and Eliza were nothing more than friends. [44] The poem was renamed to the ambiguous "To —" in the August 1839 issue of Burton's Gentleman's Magazine. With minor revisions, it was finally renamed in honor of Frances Sargent Osgood and published in the 1845 collection The Raven and ...
The "Type" column is color-coded, with a green font indicating poems for or about friends, a magenta font marking his famous poems about his Lesbia, and a red font indicating invective poems. The "Addressee(s)" column cites the person to whom Catullus addresses the poem, which ranges from friends, enemies, targets of political satire, and even ...
In the poem “Painted Tongue,” Byas writes: “We twist and turn in the mirror,/ my mother and I becoming each other,/ her bruises and scars passed down,/ family heirlooms that will take/ me ...
The couplet of the sonnet consists of lines 13 and 14, and they seem to be used to clinch the sonnet's ending. [24] It offers the compensation as all woes vanish in recollection of the "dear friend." [30] The narrator talks as if the joy of the dear friend wipes out all the pain of remembrance. [20]
Although known as "Sonnet 126", this poem is not formally a sonnet in the strict sense, and is one of only two poems in the series (the other being Sonnet 99) which do not conform to Shakespeare's typical rhyme scheme. Instead of 14 lines rhyming abab cdcd efef gg, the poem is composed of six couplets (aa bb cc dd ee ff).
"Elegy to the Memory of an Unfortunate Lady", also called "Verses to the Memory of an Unfortunate Lady", is a poem in heroic couplets by Alexander Pope, first published in his Works of 1717. [1] Though only 82 lines long, it has become one of Pope's most celebrated pieces.
Catullus's carmina can be divided into three formal parts: short poems in varying metres, called polymetra (1–60); nine (if 68 is split into two) longer poems (61–68b), of which the last five are in elegiac couplets; and forty-eight epigrams (69–116), all in elegiac couplets. Since a scroll usually contained between 800 and 1100 verses ...