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Brinley Richards: The Last Rose of Summer, Op. 45, for piano (1853) Charles Oberthür: Fantaisie brillante, on motives of Flotow's Martha, introducing the air 'The Last Rose of Summer', Op. 116, for harp (1854) Sigismond Thalberg: The Last Rose of Summer. Air irlandais varié, Op. 73, for piano (1857) Jean-Chrisostome Hess: La Dernière rose d ...
Heinrich Wilhelm Ernst (8 June 1812 – 8 October 1865) was a Moravian-Jewish violinist, violist and composer. He was seen as the outstanding violinist of his time and one of Niccolò Paganini's greatest successors.
6. Variations de concert sur l’air irlandaise The Last Rose of Summer, in G major; Grand Caprice on Schubert's Der Erlkönig, D. 328, Op. 26 (1854) -transcription for solo violin-Iván Erőd. Drei Stücke für Violine solo, Op. 27 (1979) "GeburtstagsPRÄSENT dem treuen Freund GErHArD", o.Op. (2007)
The Last Rose of Summer, A farewell song for viola and small orchestra (2023) [86] ... Violin Concerto (in undetermined language), London Symphony Orchestra, ...
She was also a prize winner at the 1998 Concert Artists Guild Competition [2] and the 1997 International Violin Competition "Premio Paganini". [3] In 1999 she was honored by National Public Radio as Debut Artist of the Year, and in 2001 received the Chamber Music America/WQXR Record Award for her debut CD with works by Bloch, Rorem , Bach , and ...
Op. 46: Impromptu on "The Last Rose of Summer" (1849) WoO. 10: Grand Fantasy on motifs from the opera Das Diamantkreuz by Siegried Salomon (1849; lost) WoO. 11: Arrangement of two violin romances by Ludwig van Beethoven (1849) WoO. 12: Valse-Rondino on motifs from the opera Das Diamantkreuz by Siegried Salomon (1849)
Singer, songwriter, former frontman of indie rock’s “The Walkmen” and now composer, Hamilton Leithauser can’t play the horns, but that didn’t deter him from accepting a gig to put music ...
The son of a violin maker, Oberthür was born in Munich and studied the harp there with Elisa Brauchle and composition with Georg Valentin Röder (1776–1848), music director at the Bavarian court. He was successively employed at theatres in Zürich (1837), Wiesbaden (1839), and Mannheim (1842), before he settled in London in 1844, initially ...